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Archive for the ‘quilter’ Category

There are so many quilts that haven’t made it into this blog! I’ll post a few photos now to try and make up for some lost time.

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I blogged about this one here. It was a wedding gift for one of my nephews, and title I gave it in the end is “heart and soul mates”. The way I arranged the HSTs (half-square triangles) symbolizes two people coming together and creating something new.

img_3301This one is called “Line and Texture”. The pattern can be found in a book titled “In Love with Squares and Rectangles” by Amy Walsh and Janine Burke. My colour palette was inspired by the Jinny Beyer fabric that I used for the binding. My mother had bought a tremendous amount of this discarded 2″ trim when she visited Suttles & Seawinds in Mahone Bay, Nova Scotia years ago. It’s going to take me a long time to use it all up!

img_3663Here’s another wedding quilt (couch quilt size) that I made for a niece who is a jazz musician. I had only bought a fat quarter of the feature fabric – with her in mind – but I was able to create a modern quilt, using coordinating fabrics from my stash and focusing on lots of negative space. I got the idea for this quilt by googling modern quilt ideas. Here’s the page I found, and I just made up my own measurements based on the optimum block size for the “jazz cats” imagery (actually called “Cool Cats” by Amy Boyajian/Lilla Rogers Studio for P & B Textiles).

fullsizeoutput_44My Marvellous Mythical Moth was started in a workshop with the talented Susan Carlson. I love her fabric collage technique! It is a small piece (20.5″ w x 16″ h) that was a lot of fun to put together.

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I’m posting this image for WIP Wednesday! It’s a small piece (20″ x 30″) that I am calling “Fifty Shades of Purple”. The 5.5″ block is string-pieced from scraps. Inspiration and instructions came from a book borrowed from the public library: “A Modern Twist” by Natalie Barnes.

purple quilt top

50 Shades of Purple

I am on a perpetual mission, as I am sure many quilters are, to use up fabric scraps. Unfortunately, this project barely made a dent in my scrap stash. But a girl can try, right?

As I was putting this together, I realized that I may finally be overcoming my obsession with the colour purple. The modern or contemporary quilt aesthetic has infiltrated my consciousness, and there are so many fresh colours to play with. Just wait till you see the next piece I am working on – no purple at all!

 

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photo of ruins in Greece

The original photo

I wanted to make something special for my son and his wife as a wedding present, even though knew I wouldn’t actually get it done in time for the wedding. Since they already had a bed quilt made by me, I set my sights on a wall hanging.

Now this was going to be a surprise, so I had to be a little sneaky! Knowing how much they had enjoyed their trip to Greece the year before, I set out to find a photo from that trip that might be appropriate to interpret in fabric. That’s where some stealth was required. I couldn’t ask my son for a photo without explaining why I wanted it, so I snooped on his Facebook page and chose a photo that was fairly representative of their trip, and that might “translate” well.

I downloaded the image and had paper copies made (enlarged to 11 x 17) – one in colour and one in black & white. The colour copy was used as a guide to select fabrics, and the black & white one helped me sketch the outline onto the base fabric (unbleached cotton).

It’s so much fun hunting for just the right fabric scraps, and I am forever grateful to the quilter who first planted the idea in my brain that sorting my scraps by colour into clear plastic shoebox-size containers would significantly streamline the process.

Arches and Blue Sky

Arches and Blue Sky

I had the perfect fat quarter of hand-dyed blue fabric for the sky on hand, from Dye-Version, and loads of scraps, from florals to plaids and everything in between, for the stonework. I used a collage technique, based loosely on what I have learned from Susan Carlson.

I took a bit of artistic licence with some areas of the piece, but I think it fairly interprets the original photo. I hope it evokes fond memories of their Greek adventure. It was made with love.

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Coming up fast – the York Heritage Quilters Guid show and sale for two days only: Friday, Nov. 14 (10 – 6) and Saturday, Nov. 15 (10 – 5). A Celebration of Quilts only comes around every three years, so you will have to wait until 2017 if you miss this one! I can guarantee that it will be a dazzling display of all sorts of textile creativity.

The location is Toronto Botanical Garden (Edwards Gardens). A Celebration of Quilts event postcardIn addition to the 200 quilts made by some talented people,  there will be a marketplace featuring 16 vendors (fabrics, books, patterns, etc.), two café locations to grab some lunch, plus a boutique filled with unique one-of-a-kind handmade items just in time for the holiday gift-giving season.  In addition, for a very reasonable price of $24, you can purchase a 12”x12” mini-quilt made by one of the Guild members.

See you there!

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About six years ago, I was fortunate to discover a small group of women in my community whose interest and obsession with making textile art equals my own. Each year since then we’ve managed to find a place in the neighbourhood to mount a display of our creations.

A few times it was a room in a church, several times a funny little vacant space on the side of a building (called “Side Space Gallery”), once in a café, and this year, in a yoga studio. The expansive white wall that spans the length of the studio was just begging to be lit up with our colourful creations.

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Grounded

We negotiated with the studio owner to have specific hours (around her classes) where people could come and see the exhibit, each weekend throughout the month of November.

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A Patch of Stillness

This Saturday, we’ll be holding the opening reception for our show at the Studio for Movement.

A week ago, we met to “hang” the show. None of us knew what each other had created, so it was a bit like Christmas morning when we spread everything out on the floor to get an idea of what the collection looked like. Amazingly, it all came together beautifully. It’s astonishing how some of us, working independently, used similar colour palettes and themes in our work. This made it fairly easy to create groupings that complemented each other.

I worked pretty hard to get two new pieces finished (each participating artist is invited to submit two pieces) and was still stitching on the labels the day we hung the show!

A third piece I had brought along (Open Arms, aka Driven to Abstraction) turned out to be just the right size for one of the walls, so that means I have three pieces in the show!

Getting together with my artist friends to plan and execute these exhibits, on a shoestring, has proven to be a great catalyst for all of us to learn, laugh, experiment and share our art with the community.E_invite_2013

If you’re in the Toronto area, I invite you to come by and be inspired!

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The impetus for this project was a small photo of a quilt on a bed that caught my eye in something I was reading (a newspaper, perhaps?). I cut it out and ruminated for sometime on the concept of a quilt make from large blocks. The quilt in the photo comprised a random arrangement of squares and rectangles that appeared to be about 20” across.

I started pulling out small-print florals from my stash and putting them aside for this quilt. The more I thought about it, it occurred to me that I could do something more interesting than simple squares and rectangles.

While leafing through Mary Ellen Hopkins’ The It’s Okay if You Sit on My Quilt Book (1989), which is brimming with block ideas made from different arrangements of strips, squares and triangles, I zeroed in on a block she calls “Amish Pinwheel”.

There are so many things you can do with half-square triangles, and this block is just one example. It’s made from 8 half-square triangle blocks, with a rectangle of the background colour added to each corner. Each finished block is 18” square. Image

The traditional Amish quilt always features solid fabrics, not florals. So I am hesitant to call these blocks Amish pinwheels. Yet it is not your typical pinwheel block.

I checked on Flickr and only found one example similar to this block, and the maker called it “Dancing Pinwheel”.

Because it is intended as a summer quilt, I opted to use flannelette for the batting to keep it light.

The quilt measures 67” x 90” and I did simple machine quilting in neutral colours. My intention was to have the quilting disappear, and just do its job (holding the layers together). The binding is made from an assortment of leftover fabric.

The result is a “vintage” look quilt. That sounds so much more sophisticated than “old-fashioned”, don’t you think?

Numerous people have asked me “Who it is for?”  It’s for me!

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With all the recent weather-related and other catastrophic events happening in Canada and around the world,  we are sometimes uncertain as to how we can help our neighbours.

Luckily, I came across the Just One Slab Quilts Recover Southern Alberta project – the brainchild of Cheryl Arkison. It was an easy way for me to contribute my skills to a worthwhile endeavour aimed at providing some comfort to the many people affected by the damaging floods.

The distance between us is more than 3,000 kilometres, but I felt I was part of one big community of quilters putting our hands, hearts and needles together in an effort to let others know that we care.

All Cheryl asked was for people to make a slab 15.5” square. “You can insert the white bit or not, that’s your choice. Just aim to make your block in a single colour. Make as many as you like,” she stated on her blog. The blocks were inspired by Cheryl’s “The Missing U” quilt from her book, Sunday Morning Quilts.

Cheryl has local volunteers all lined up to put the blocks together and produce the quilts. As of the middle of July, she already had 276 blocks. I contributed two blocks, and because I packed them in an unusual way (rolling them around a foam cylinder and then wrapping brown paper around it) I could easily  pick out my package out in the photo showing a pile of the latest arrivals in her blog post of July 29!

Quilters are Warm People

I am really looking forward to seeing the colourful results of this comfort project. A big thank-you goes out to Cheryl for her leadership. Quilters certainly are warm people!

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