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Archive for the ‘creative’ Category

There are so many quilts that haven’t made it into this blog! I’ll post a few photos now to try and make up for some lost time.

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I blogged about this one here. It was a wedding gift for one of my nephews, and title I gave it in the end is “heart and soul mates”. The way I arranged the HSTs (half-square triangles) symbolizes two people coming together and creating something new.

img_3301This one is called “Line and Texture”. The pattern can be found in a book titled “In Love with Squares and Rectangles” by Amy Walsh and Janine Burke. My colour palette was inspired by the Jinny Beyer fabric that I used for the binding. My mother had bought a tremendous amount of this discarded 2″ trim when she visited Suttles & Seawinds in Mahone Bay, Nova Scotia years ago. It’s going to take me a long time to use it all up!

img_3663Here’s another wedding quilt (couch quilt size) that I made for a niece who is a jazz musician. I had only bought a fat quarter of the feature fabric – with her in mind – but I was able to create a modern quilt, using coordinating fabrics from my stash and focusing on lots of negative space. I got the idea for this quilt by googling modern quilt ideas. Here’s the page I found, and I just made up my own measurements based on the optimum block size for the “jazz cats” imagery (actually called “Cool Cats” by Amy Boyajian/Lilla Rogers Studio for P & B Textiles).

fullsizeoutput_44My Marvellous Mythical Moth was started in a workshop with the talented Susan Carlson. I love her fabric collage technique! It is a small piece (20.5″ w x 16″ h) that was a lot of fun to put together.

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photo of ruins in Greece

The original photo

I wanted to make something special for my son and his wife as a wedding present, even though knew I wouldn’t actually get it done in time for the wedding. Since they already had a bed quilt made by me, I set my sights on a wall hanging.

Now this was going to be a surprise, so I had to be a little sneaky! Knowing how much they had enjoyed their trip to Greece the year before, I set out to find a photo from that trip that might be appropriate to interpret in fabric. That’s where some stealth was required. I couldn’t ask my son for a photo without explaining why I wanted it, so I snooped on his Facebook page and chose a photo that was fairly representative of their trip, and that might “translate” well.

I downloaded the image and had paper copies made (enlarged to 11 x 17) – one in colour and one in black & white. The colour copy was used as a guide to select fabrics, and the black & white one helped me sketch the outline onto the base fabric (unbleached cotton).

It’s so much fun hunting for just the right fabric scraps, and I am forever grateful to the quilter who first planted the idea in my brain that sorting my scraps by colour into clear plastic shoebox-size containers would significantly streamline the process.

Arches and Blue Sky

Arches and Blue Sky

I had the perfect fat quarter of hand-dyed blue fabric for the sky on hand, from Dye-Version, and loads of scraps, from florals to plaids and everything in between, for the stonework. I used a collage technique, based loosely on what I have learned from Susan Carlson.

I took a bit of artistic licence with some areas of the piece, but I think it fairly interprets the original photo. I hope it evokes fond memories of their Greek adventure. It was made with love.

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Coming up fast – the York Heritage Quilters Guid show and sale for two days only: Friday, Nov. 14 (10 – 6) and Saturday, Nov. 15 (10 – 5). A Celebration of Quilts only comes around every three years, so you will have to wait until 2017 if you miss this one! I can guarantee that it will be a dazzling display of all sorts of textile creativity.

The location is Toronto Botanical Garden (Edwards Gardens). A Celebration of Quilts event postcardIn addition to the 200 quilts made by some talented people,  there will be a marketplace featuring 16 vendors (fabrics, books, patterns, etc.), two café locations to grab some lunch, plus a boutique filled with unique one-of-a-kind handmade items just in time for the holiday gift-giving season.  In addition, for a very reasonable price of $24, you can purchase a 12”x12” mini-quilt made by one of the Guild members.

See you there!

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The natural world has it all: colours, patterns, designs, shapes, repeats. I am convinced that even if something doesn’t enter your consciousness the moment you encounter it, your psyche still has a chance to tuck it away for later reference. I often use my camera (rather than my mind’s eye) to capture a pattern or colour combination that attracts my attention.

water currents - light and shadow patterns

water currents – light and shadow patterns

pattern in tree bark

subtle colour and pattern of tree bark

an intricate design on the underside of the butterfly wing

an intricate design on the underside of the butterfly’s wing

circular pattern - a spiral in the centre of the flower

a spiral pattern in the centre of a sunflower

 

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About six years ago, I was fortunate to discover a small group of women in my community whose interest and obsession with making textile art equals my own. Each year since then we’ve managed to find a place in the neighbourhood to mount a display of our creations.

A few times it was a room in a church, several times a funny little vacant space on the side of a building (called “Side Space Gallery”), once in a café, and this year, in a yoga studio. The expansive white wall that spans the length of the studio was just begging to be lit up with our colourful creations.

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Grounded

We negotiated with the studio owner to have specific hours (around her classes) where people could come and see the exhibit, each weekend throughout the month of November.

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A Patch of Stillness

This Saturday, we’ll be holding the opening reception for our show at the Studio for Movement.

A week ago, we met to “hang” the show. None of us knew what each other had created, so it was a bit like Christmas morning when we spread everything out on the floor to get an idea of what the collection looked like. Amazingly, it all came together beautifully. It’s astonishing how some of us, working independently, used similar colour palettes and themes in our work. This made it fairly easy to create groupings that complemented each other.

I worked pretty hard to get two new pieces finished (each participating artist is invited to submit two pieces) and was still stitching on the labels the day we hung the show!

A third piece I had brought along (Open Arms, aka Driven to Abstraction) turned out to be just the right size for one of the walls, so that means I have three pieces in the show!

Getting together with my artist friends to plan and execute these exhibits, on a shoestring, has proven to be a great catalyst for all of us to learn, laugh, experiment and share our art with the community.E_invite_2013

If you’re in the Toronto area, I invite you to come by and be inspired!

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Isn’t it fun, once in a while, not to have everything planned out before you start a new project? That’s the way it was with the 3-part workshop I signed up for with Dwayne Wanner. He has developed a loosely structured set of guidelines to shepherd you through his “Abstract Expressionist Quilt Project”.

I was fortunate to be able to find a weekend course being held at the Etobicoke Quilters Guild, where my sister is a member. I am endlessly frustrated by my own guild’s insistence on scheduling workshops during the workweek.

Part one of the workshop consisted of exploring the styles of abstract expressionist painters such as Jackson Pollock, Jean-Paul Riopelle, Paul Klee and the Painters Eleven. Dwayne encouraged us to look at these paintings and visualize them made with fabric. Using both the Internet and library books, I studied the technique in the weeks leading up to the first session.

Then it was time to make our colour choices. Dwayne encouraged us to experiment the split-complementary scheme, which includes strong contrast that is toned down by using the colours that are adjacent the colour that is complementary to the main colour. Have I lost you yet?

For someone who usually relies on instinct for her colour choices, it was a challenge for me to consult the colour wheel and make selections based on that, but I went to my stash and tried my best. For this project, fabrics that read as solid are best – no large prints.

Our second task was to construct what Dwayne calls an “inventory” of blocks. What fun combining the fabrics into blocks and strips, knowing in advance that they would be sliced, diced and put together later, but not being able to envision the end result.

Floating squares, skinny strips, wonky strips, etc. all came together, as Dwayne exhorted us to imagine the artist splashing paint randomly on a large canvas.

Slicing a curved line in advance of sewing two sections together

Slicing a curved line in advance of sewing two sections together

One interesting trick I learned was how to match up two sections, by laying them on top of each other (both face up), just overlapping enough to cut through with the rotary cutter, in a slightly curved line. [photo]

Then, after discarding the cut pieces, you flip one piece over so that right sides are together, and sew them together. Sounds simple but I don’t think I would have thought of that myself.

Dwayne’s approach is best described, I think, as freestyle. “Pins are for sissies,” he says. I must say things move faster when you aren’t concerned with measuring and matching things precisely. And the resulting creation is truly one-of-a-kind.

Most of the quilts produced in this class, therefore, resulted in an irregular shape, and so the question was asked – how are we going to finish the edges? Dwayne explained various methods, one being the “pillow-case” method. But I chose the option to make “facing”. You make binding as per usual, but turn all of it to the back, rather than just half of it. Pretty simple and effective, when the edge of your piece is uneven.

While our sewing machines hummed, Dwayne supplied an eclectic assortment of background music, ranging from opera to the Gypsy Kings, to keep our creative juices flowing. And, I suspect, to cut down on the chitchat. He had us on a schedule, which contributed to the appeal of this workshop. All the students were confident that they would actually finish something at the end of the three sessions.

Driven to Abstraction -

Driven to Abstraction

A few months later, I am still processing some of the ideas and techniques that I practiced in Dwayne’s class. My piece, “Driven to Abstraction”, is certainly one of the most adventurous and unusual wall hangings I have made. And quite a contrast to the next quilt I will be writing about!

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It’s been awhile since I last posted. Life’s been extra busy, it seems. I’ve been working away at the wall hanging that I created at Dwayne Wanner’s 3-part workshop, and I don’t want to blog about it until I get a good photo of the finished product! It’s quite a departure from my “usual” style (if there is such a thing) but you’ll have to be patient.

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Hiking near Skinners Bluff on the Bruce Trail on the long weekend in May.

I have been enjoying the change of seasons, to some extent. I did some camping with my sons, hiking with my sister, joined some nature walks with the Toronto Field Naturalists and have been up to the family cottage a couple of times this spring.

Right now it is beastly hot and humid.

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